What You Will

For centuries, thousands of theatres around the world have focused on the basic design concepts. These concepts include the design of sets, costumes, lights, and props. These designs are put together in order to bring what is on the script to life on the stage. This required putting together the many artful talents of a large group of people into a single product that draws the eye of the audience, but do productions always have to attract sight as opposed to other four senses? Take for instance, the sense smell? While olfaction design may be invisible to the eye, it can still prove to be as powerful of an element as the rest of the set, sound, and actions. According to Graham’s laws of gas diffusion, odors travel very slowly in still air, but can travel very fast when they are helped by air movement. The expression of Graham’s law of gas diffusion is as follows: U (r ,t) = □(Q/(2Dπ )) f [r/(√(4Dt))] The concentration U (r, t) is measured in molecules/cm3. r represents distance ...

Eurydice Dramaturgy Protocol by Sarah Kohler on Scribd

Modernization of Shakespeare In Film The works of William Shakespeare have been wildly known to change many things in our modern world, including our literary stance, the English language, and of course film and television. The first film to ever feature Shakespeare’s work was a photographic record of a production of King John performed on the Sir Herbert Beerbohm Tree’s stage in 1899 (Brooke). It was directed by William Kennedy and it starred Sir Herbert Beerbohm Tree as King John. The film itself was a brief excerpt from King John’s death scene (Brooke).                                                                                                                          ...

The Basis of Shakespeare’s Language and Exploration of Mental Illness             Many see William Shakespeare as the name an extraordinary individual who wrote over thirty-eight plays (folger.edu) and 154 sonnets (AbsoluteShakespeare.com), but he is mostly known for his uniquely famous language that he brought forward that other playwright or poet of his time could be known for.             During Shakespeare’s time, there were no dictionaries and organized grammar books were not composed until the 1700s (about 100 years after Shakespeare’s death) (Shakespeare Resource Center) . The closest thing to a dictionary was Robert Cawdrey’s Table Alphabeticall, which was published in 1604 (British Library) , which was long after Shakespeare  received an education at King’s New School in Stratford-upon-Avon during his youth (Donnelly and Woledge, 2010). Shakespeare did not r...